sounding out scotland – coda

10 01 2018


 

 

 

Clachan church

is situated in an amazing setting, along a stunning coastline, splendid views on applecross that are both twee and very wild. The church is slightly tucked away and usually quiet. it feels welcoming and cold at the same time. there is something about the very plain design and open empty space that is very attractive in its simplicity. similarly, the sound is ample and yet restrained. there is a comfortable resonance with enough sustain and yet not too much tail which allows for a different type of playing. the surfaces are mainly wood which absorbs a lot of vibrations and makes the sound warm in spite of the plain hard surfaces of the space.

by the time i get to this place, my saxophone has accompanied me on the road and, once again, is in need of TLC. and yet, in spite of this, the place is always stirring and the focus it inspires allows me to overcome the technical difficulties. so, like last time i was here, even if the sax sounds a little raw, and the overtones are a little thin… i always like the outcome produced by such a gentle and stimulating environment. and after a deep and relaxing meditation, the second wave of recording is even more inspired and energetic:

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converging inversions
alto saxophone, 30 august 2017
clachan church, applecross, scotland

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a group of young deer
2.1 shakuhachi, 30 august 2017
clachan church, applecross, scotland

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renewed horizon
alto saxophone, 30 august 2017
clachan church, applecross, scotland

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infinite space
alto saxophone, 30 august 2017
clachan church, applecross, scotland

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ragged coastline
alto saxophone, 30 august 2017
clachan church, applecross, scotland

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Cathedral Cave

it is with great pleasure that i complete this series and my journey by a short stop in the lake district. it does feel like returning home, but there is another treat in line, and this is the absolutely staggering presence of cathedral cave. it’s pretty dark by the time i arrive, and it is definitely empty and quiet, although strange and distant noises inhabit the valley.

from the very first sound, the rich ambiance and impressive character of the reverb envelops me, and carry me in suspension. deep absorption.

expanding.

space.

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prajna
alto saxophone, 02 september 2017
cathedral cave

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this, is
alto saxophone, 02 september 2017
cathedral cave

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the maze
alto saxophone, 02 september 2017
cathedral cave

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sounding out scotland – smoo cave 2017

17 11 2017

 

 

This year’s visit of Scotland continues north. Along a tiny beat up single track road across land we join the round tour of Eribol and its majestic scenery. Soon enough arriving in Durness, the sky heavy and textured, i settle into the place sitting on top of the hill by the bunkhouse. My meditation is sprinkled with a few drops while waiting for the right time to set off. By the time I get to Smoo, it is raining heavily and the amount of water that has fallen this season is reflected in the flow of the cascade in the next chamber. I am surprised by the deafening roar of the waterfall coming through into the main part of the cave and concerned it will take most of the sound away. Still, Smoo cave never disappoints and its cathedral like reverberation shines through the sound of crashing water.

There is a very different vibe here than last time i visited. It is certainly more intense and while i am playing one of the long pieces, i can hear the water fall becoming more present and my playing reflects the chaotic flow. There is still that sweet spot when i stand with my feet right in the little brook in the middle of the cave, that inspires gentle sounds, but overall, this session is flowing stronger as i have to compete with the loudness of the water.

 

On the second day, i return at dusk for another recording and there are still a few visitors wandering in and out even though the light is rapidly dropping. I take a few videos that turned out to be mostly a play of shadows (these will come up in a different post). The dampness hanging in the air makes it more difficult for the saxophone, but i still enjoy playing this amazing space. Among the visits, a couple with an infant who seems to be very alert and interested by the music. As evening falls, the cave gets quieter and i play on for a while reminiscing of a day walking miles to a sandy bay and returning in heavy rain. That night was clear though, and camping on the very coast with the tent facing the great big north was quite something.

 

 

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sitting on a hill
alto saxophone, 24 august 2017
smoo cave, scotland

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alternance 1
alto saxophone, 24 august 2017
smoo cave, scotland

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unyielding
alto saxophone, 24 august 2017
smoo cave, scotland

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turning point
alto saxophone, 24 august 2017
smoo cave, scotland

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as many atoms cascading
alto saxophone, 24 august 2017
smoo cave, scotland

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plato’s play of shadows
alto saxophone, 24 august 2017
smoo cave, scotland

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eddies and rocks
alto saxophone, 25 august 2017
smoo cave, scotland

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short turnover
alto saxophone, 25 august 2017
smoo cave, scotland

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as many stars spinning
alto saxophone, 25 august 2017
smoo cave, scotland

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rain dramatic
alto saxophone, 25 august 2017
smoo cave, scotland

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sounding out scotland – north west coast 2017

19 10 2017

 

 

A visit to Scotland was long due. And this is my favourite area. The trip took us from north west coast sea lines through wild moors and lochs to the very northern point. This post however will focus on a specific section of the western coastline, following the path of the steam train – the jacobites.

The first stop was in Arisaig. A large church towering above the town with a view – tucked between green suburbs and a road out to the sea front.
The very high ceiling and wide open space inside the church made a strong impression and it was like stepping out into space. The slow sound inside was indeed very stilling. A single bell marks a warm welcome and the improvisation flows.
When giving tracks titles, one in particular reminded me of an experience i had nearby meditating on the rocks overlooking the sea. so i chose an image i took that day of a view over to Skye with the sun setting over the calm water.

In the harbour town of Mallaig, i found a shelter from the day for a short exploration of this small church on the edge of town. It was like stepping into the 70’s. Both amusing and welcoming, i felt at home in the cosy carpeted warmth. And nudged into motion by the nearby steam train parked at the station and some building works, i let the saxophone sound out this clear close space.

The next stop was the church at Morar. The place looked cosy, but the vibe of the place was not quite right and the space was not responding. I played for a while but could not get into it, and the sax felt raw. So i did not stay for meditation and instead moved on to a more welcoming location.

For contrast, i returned to Arisaig and bathed in that grand space. After a sweet meditation, i revisited the acoustics. A different day, a different light and still the wonderful immersive stillness was very inspiring.

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first bell
alto saxophone, 22 august 2017
arisaig church

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forest of peaks
alto saxophone, 22 august 2017
arisaig church

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silent silver sea
alto saxophone, 22 august 2017
arisaig church

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open skies
alto saxophone, 22 august 2017
arisaig church

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a gentle descent
alto saxophone, 22 august 2017
arisaig church

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interlude
2.1 hochiku shakuhachi, 22 august 2017
arisaig church

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steamline
alto saxophone, 23 august 2017
mallaig church

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white orbs and billows
alto saxophone, 23 august 2017
mallaig church

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contrary measures
alto saxophone, 23 august 2017
morar church

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counter currents
alto saxophone, 23 august 2017
morar church

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slow rise
alto saxophone, 23 august 2017
arisaig church

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a raft in the other shore
alto saxophone, 23 august 2017
arisaig church

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mixed feelings
alto saxophone, 23 august 2017
arisaig church

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dovecote tunnel [ged barry and hervé perez]

2 10 2017

titled point line and surface, those three videos explore the architecture and resonance of Dovecote tunnel in a very impressionistic way. Using extended techniques and an architectural approach to harmony, the physics of sound waves inside a resonant chamber, the duo retains a great sense of melodic development while exploring structures at times abstract, and harmonic.

following on our exploration of a wet and drippy thor’s cave, we continued down the valley onto another of my favourite spots. i must say playing music in a tunnel is a bit weird, but this place has got the most amazing resonance. with a very strong character and pronounced resonant frequency, this tunnel will bend notes and blend overtones in the most surprising way.

expect beatings, saturating space and long tones…

 

this recording is the document of their very first encounter as a duo with the special acoustics of the tunnel.
01 august 2017

ged barry – tenor saxophone
hervé perez – alto saxophone

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full audio





thor’s cave [ged barry and hervé perez]

16 09 2017

flashes of lightning

amongst the crashes and flashes of a raging storm, and in torrential rain, the duo was born as ged barry and hervé perez arrived at thor’s cave with saxes.
this recording is the document of their very first encounter as a duo with the special acoustics of the cave.
01 august 2017

ged barry – tenor saxophone
hervé perez – alto saxophone

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full audio





Ecart de Sons EPK

29 08 2016

banner

 

 

contact:

henry – hherteman@wanadoo.fr

hervé – sndsukinspook@live.com

 

web

soundcloud.com/henry-herteman

soundcloud.com/herveperez

 

 

 

Dialogique intuitive d’un duo d’improvisateurs.

Multi-instrumentistes, ils sculptent des idiomes imaginaires de forme acoustique et électronique, à la croisée du jazz et de l’expérimental.

 

 

Ecart de Sons

documents audio:

01 [Ecole de Danse, Cazères]

02 [Club 52, Prat Bonrepeau]

03 [A.I.R., Sarrant]

04 [le caméléon, Toulouse]

 

 

 

Le duo Ecart de Sons offre un dialogue d’affinités musicales et poétiques de deux personnalités expérimentées dont la vocation est l’expressivité concertée.

 

Le parcours individuel de chaque musicien, riche de collaborations diverses est ponctué de nombreux concerts, d’enregistrements et compositions.

 

Le désir de parfaire ce duo prend corps au cours des années, et évolue selon la recherche de chaque musicien. Cette rencontre s’illustre dans la pratique de l’improvisation libre et des musiques intuitives et nouvelles, dont les bases convoquent: des développement jazz ou free, des idiomes imaginaires, des échos de la musique contemporaine et de l’electro-acoustique.

 

 

 

Documents video du duo en concert : vimeo.com/channels/ecartdesons

 

 

biographies:

 

Henry Herteman

clavier – trombone – mélodica – sax électronique

 

Musicien autodidacte, auteur de texte, il est attiré par la maîtrise du langage de divers instruments: piano, clavier, trombone, mélodica, percussion, Valiha Malgache.

Une orientation marquée par les rencontres d’improvisation avec lecteurs, poètes, musiciens, danseurs, peintres, performeurs. Engagé dans les courants d’échanges spontanés, de rencontres croisées. Il revendique le concept d’improvisation libre ou compovisée et musique intuitive avec des incursions dans les climats du jazz, du rock progressif, de la musique ethnique voire contemporaine. Ne rien s’interdire est son fil conducteur.

Il participe et organise de nombreux événements sur les scènes régionales de la musique improvisée. Participe aux ateliers de l’IREA, aux Sonofages, intervient aux «Nuits de Lauzerte» dans une performance «Passages croisés». Concepteur des journées de musique intuitives, des concerts rue des fleurs.

Il sort en mai 2015 un CD solo, Roule ta Salive chez Improvising Beings. Un travail qu’il présente au théâtre du pavé.

 

Sur son trajet, il croise nombreux musiciens:

Didier Laserre , Nuch Werchowska, Le Fil, Grand Piac, Zoubooo, Synapsis, Gilles Dalbis, Naoto Yamagishi, Laurent Rodriguez, Heddy Boubaker

 

soundcloud.com/henry-herteman

henrynow.simplesite.com

 

 

 

hervé perez

saxophones – shakuhachi – laptop

 

artiste, compositeur, improvisateur.

Participant actif sur la scène Européenne depuis 2000, en collaboration avec d’autres formes artistiques tel la danse, l’art visuel et l’écriture, il s’intéresse principalement aux modalités d’improvisation et aux relations entre musiciens, audience et environnement.

Travaille dans différentes formations de free jazz et d’improvisation libre, électroacoustique et musique contemporaine, ainsi qu’en performances solo. Il présente aussi son travail audio-visuel en installations in situ.

Il poursuis une recherche du son et sciences vibratoires d’une part, et aussi développe une approche très contemporaine de l’harmonie et de la mélodie. Inspiré de techniques anciennes de guérison et par la pratique de la méditation, il intègre science et spiritualité au sein de modalités de performance de la composition spontanée.

Le travail sur la résonance, la relation des formes vibratoires à l’architecture et au corps, la pratique du deep listening font alors partie intégrante du processus créatif qu’il chemine hors des enceintes stylistiques.

 

sndsukinspook.wordpress.com

spacers.lowtech.org/herve

soundcloud.com/herveperez

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https://vimeo.com/channels/ecartdesons

 

 





Mirror Image – album release

15 12 2015

 

Hervé Perez & Roger Mills – Mirror Image

 

Released
14 December 2015
by linear obsessional recordings
 

 

 

“Linear Obsessional is delighted to present this beautifully recorded collection of free improvisations by Nada. Nada is the duo of Roger Mills – trumpet and Hervé Perez – alto sax.
The improvisations that make up “Mirror Image” are revelatory, as both musicians explore a huge range of sonic textures through extended technique and make for a fascinating and engrossing listen as they search out their common ground. Interestingly although both musicians had played together via internet collaborations “Mirror Image” is the result of their first meetings in person. The sound of two musicians communicating so naturally, but also with great control and subtlety, makes this an enormously rewarding listen.”

Available as a free download with accompanying PDF booklet of notes with beautiful images by Arman S. Haghi
from the release page

 

Mirror Image is the debut album of the duo Nada, featuring UK based saxophonist Hervé Perez and Australian trumpeter Roger Mills. While Perez and Mills live on opposite sides of the world, they met through their mutual work with the telematic improvisation music ensemble Ethernet Orchestra. The duo quickly realised a shared aesthetic and continued developing their sound online.

Hervé and Roger would like to thank Elke Utermöhlen and Martin Slawig (blackhole-factory) for bringing us together, Richard Sanderson for releasing the album,and Arman S. Haghi for the original artwork.

This album is made up of three recordings gathered during a residency in Studio_A | Kunstmühle on December 06 and 07, 2014 and includes a live performance of the duo at Club Instabil

 

 

Roger Mills – trumpet
Hervé Perez – alto sax
edit and master by @sndsukinspook
artwork by Arman S. Haghi